Studio Tour visit to VSVSVS at the Docks

Please join us for a private reception to celebrate the opening of our summer exhibition. Thanks to the generous support of Partners in Art, we are pleased to present this free exhibition of artists working in 35mm film, including the premiere of Daniel Young and Christian Giroux's Berlin 2012 / 1983, commissioned by TIFF, the Goethe-Institut […]

Email request to attend including agenda sent by Maureen on behalf of Mimi, Jane, Raphy, Elske on June 9.

PIA members are invited to attend the Silver Editions 2015 launch party at the home of Liza Mauer and Andrew Sheiner in support of Gallery TPW. RSVP to Nicole Cropley, Gallery Manager, Gallery TPW by phone at 416-645-1066 or email at nicole@gallerytpw.ca

This meeting was rescheduled from June 11 due to Board member availability. Details to follow re location and time

As their newly commissioned film installation Berlin 2012 / 1983 debuts in the HSBC Gallery on June 12, Daniel Young and Christian Giroux join curator and scholar Axel Wieder, Director of Index – The Swedish Contemporary Art Foundation in Stockholm, for this special public artists talk as part of TIFF’s Free Screen programme. Young and Giroux will […]

Commissioned  by the Art Gallery of York University, and two-years in the making, Ring of Fire is a 300-person strong street  procession by internationally renowned Trinidadian artist Marlon Griffith. Created for the people of Toronto and staged at the TO2015 Parapan American Games, Ring of Fire takes place on Sunday August 9, along University Avenue from […]

The Power Plant has been invited to take part in a project with Creative Time and the Venice Biennale that will give Canadian artists an opportunity to participate in a prestigious international forum. The Creative Time Summit is the first and largest international conference dedicated to art and social good

Shot in 16mm at the Kodak factory in Chalon-sur-Saône, France shortly before the facility ceased production of 16mm film stock, Tacita Dean's Kodak is an elegy to a medium — and a means of production — on the verge of obsolescence. Opening in black and white with images of workers operating intricate machinery, the film then shifts […]